Sunday, February 21, 2021

Flight of Fancy - Exhibit Wrap Up

Dart Gallery Newsletter Sara Harley
from the Dart Gallery's newsletter

My solo exhibit at the Dart Gallery in Dartmouth, NS is wrapping up. This six week show came as a bit of a surprise, and has been such a great experience.

Jane MacDougald, the owner of the gallery, has been encouraging me to have a solo exhibit for a while. It always just seemed too intimidating. Here's how it finally came to be...

In December 2019, I wrote a blog article called It Never Hurts to Ask. That led me to exhibiting my work at a restaurant, which was surprisingly a great source of sales until everything shut down because of the COVID-19 pandemic. When things shut down, my work got boxed up and sat in my garage for five months. Then the Dart Gallery sent out a call for art for their December show called Off the Wall, an opened theme exhibit. I submitted the images that I already had framed and all of them were accepted. When I dropped them off, Jane talked to me again about having a solo show.  So....some of them were shown at the group show, and many of them were held until January. I wasn't expecting much...who shops for art in January? But apparently lots of people do!

The show was mostly photographic art, with a few "real" photographs as well. Flight of Fancy celebrates my love of crows. In case you missed my 20 minutes of fame, click here to view my artist talk about the exhibit.

Sara Harley Artist Talk - Flight of Fancy at the Dart Gallery
Artist Talk - Flight of Fancy at the Dart Gallery
This series has been a watershed for my photography. It has given me the permission to play and create art, rather than just snapping a photograph. It has allowed me the freedom to making images that exist only in my imagination, brought to life by layering and combining many different photographs from my library and creating something new that no one else can reproduce. Although some photographers insist this isn't photography, and some artists say it's not art, it makes me happy and I try not to be concerned with the naysayers. 

It makes me happy that some people do love my work enough to buy it from a gallery and take it home. Here are some of the pieces that have sold:

Photographic Art Always by Sara Harley

Photographic Art Beach Bums by Sara Harley
Beach Bums
Photographic Art Emotional Refuge by Sara Harley
Emotional Refuge

Photographic Art Frozen by Sara Harley

Home for the Holidays

Photographic Art Out of Time by Sara Harley
Out of Time

Photographic Art Rest Stop by Sara Harley
Rest Stop

Photographic Art Savour by Sara Harley

Photographic Art Sunny Days by Sara Harley
Sunny Days

Photographic Art There Is No Greater Love by Sara Harley
There is no Greater Love

Friday, February 12, 2021

Exhibits - Selecting Images

Part 3: Selecting Images

I have briefly discussed image selection in a couple of updates about my upcoming Trailings exhibit, but I'll try to go into more detail here. I'm not an expert by any means, but writing about it seems to help me get things organized in my own mind.

Presumably, artists who create with paint or fabric or another medium would come up with a theme and then create their art following the theme. This might also happen in photography. But for a photographer who hasn't exhibited before, more often than not they will come up with a theme and then go through their photographs to fill out the exhibit.

I might argue that you should go through your photographs FIRST and then come up with a theme, but I didn't think about that when I was writing down my "Exhibit How To"

So...I think it's best at this point to use my own upcoming exhibit as an example. I knew my theme was "Trailings", photography inspired by walking the local trails. I had taken photographs for over one year and had accumulated over 3500 (maybe 4000) photos. Yikes. How do you organize that? 

There were obvious images to toss, and obvious images that I like more than others. I am a visual person and it helps me to actually see a collection together so I experimented in organizing the images into various books using an on demand printing company called Blurb

I tried organizing images by season, by subject matter (trees, fungi, water, leaves, reflections, etc), by style of photography (black & white, a series with white backgrounds, minimalist, etc) and just by a collection of images I liked. I had some up with a short list and asked family and a professional photographer for input. I wasn't happy with any of the combinations. 

What story was I trying to tell?

Well...I went back to a project summary that I had written when I applied for a grant, and re-read it many, many times. How did the photos I took relate to that? They didn't! That was why I wasn't satisfied with my various attempts at image selection.

Here are the first two paragraphs from my one page project summary:

Trailings creatively illustrates how trail walking can heal the mind, body, and spirit. Through observation, photographic documentation, and introspection, this project is designed to provide inspiration to others by exhibiting the project results.

Trailings strives to promote understanding of wellness through art and dialogue. Using photography and stitched art,the artist creates a visual representation of her healing journey.

My epiphany: I needed to find images that told a story of emotions.

My challenge: I wanted to accomplish this with a variety of subjects and seasons. Some summer, some winter, some water, some sky, some colour, some monochromatic...a variety.

I had printed hundreds of images, some of them pinned them to a large bulletin board. I took them all and sorted them into various piles on the floor. I sorted and resorted. I chose some images that weren't "pretty". I chose some that said "sad" to me, and some that said "happy". I believe I have pulled together a series that tells a story of emotions.

photos on the floor amidst the dog toys :)

I'm a little nervous about the exhibit, truth be told. Fingers crossed that my images convey the story I am trying to tell.

Previous Articles:

1. Selecting a theme - more difficult than it seems!

2. Applying for exhibit space - writing an exhibit statement

Monday, February 8, 2021

Palate Exhibit

image courtesy of Round Hill Studio
I am stretching my photographic wings a bit and was accepted for a group exhibit at a gallery in Annapolis Royal. This is my first time exhibiting at the Round Hill Studio. We had a wonderful day out a couple of weeks ago and enjoyed a day trip across the province with our son and daughter-in-law to deliver my pieces, have a leisurely lunch, and drive back.

Palate: Comfort Food in Art - Group Exhibit

Comfort food (definition ): Food that provides consolation or a feeling of well-being, typically any with a high sugar or other carbohydrate content and associated with childhood or home cooking.

Artists have answered the call to Palate: Comfort Food in Art. We have invited artists from across Canada to share their art inspired by food that provides nostalgic or sentimental value to them. We have a full offering of visually stimulating, art and stories inspired by food and memories associated with them. From photography, fibre art, found items and a myriad of paintings and drawings, Palate: Comfort Food in Art offers the audience a variety of yummy, aesthetically pleasing expressions.

If you'd like to see all the art in the exhibit, you can view them by clicking on this link: