|On Landscape Magazine, Issue 232|
|On Landscape Magazine, Issue 232|
The province of Nova Scotia went into a lockdown on April 28th to try to reverse the increasing number of COVID-19 cases and only essential services are open. Our public libraries are closed, which means my Trailings exhibit is also closed. But....you can view my whole project online!
I compiled a guide as part of my project....part exhibit guide, part project history. I created a 32 page magazine and ordered some hard copies for sale. I also put the whole magazine into pdf format and into an easily viewable online magazine. Details about the process are below...but first...here is the link to view here: https://my.flipbookpdf.net/exxim Just click on the arrows at the top right of your screen to page forward and back through the magazine.
Exhibit Guides - Part 4 of an ongoing series about preparing for exhibits
I have only participated in two exhibits that included an exhibit guide as part of the experience, so I have very limited knowledge about this whole subject.
The first exhibit guide was created as part of a group exhibit that my photography club put together in 2017. I was in charge of the exhibit, and took it upon myself to create a guide. This guide was not for the general public, but the participants all ordered a copy of it as a keepsake. I created the guide using a print on demand company called Blurb Books, and I selected an 8x10 inch trade publication to reduce expenses. Each page of the exhibit guide featured one of the participants, and included the image title, large image, location and date under the image, a brief description/blurb about the image, and the photographer's name and bio at the bottom of the page.
The second time was a 2018 exhibit at Viewpoint Gallery in Halifax, NS. A juried group exhibit called Picturing Health, it included work by 10 photographers. The cover of the guide was simple, and included the exhibit title, one line explanation "A Group Exhibition Exploring the Relationship between Wellness and Creatvity", exhibit dates, participating photographers, and gallery logo.
The contents of the exhibit guide consisted of:
- a two page introduction to the exhibit
- a one page note from the President of the sponsoring foundation
- each of the 10 photographers had a two page spread, with their images on the left page and a brief artist statement and bio on the right page
- one page with information about the host gallery and the sponsoring foundation
Simple, straight forward, and professionally put together, the exhibit guide certainly made me feel like I was part of something special.
When I was putting together my Trailings exhibit, I was originally scheduled to show the exhibit in two locations. In the first location, I would be able to sell my work and I decided to create an exhibit guide to give people an item they could purchase at a much lower price point.
I decided that my exhibit guide would be more than just information about the photos in the exhibit...it would include background information to explain the whole project. (In case you haven't yet taken a look....go to the top of this blog post to click on a link and view it online) It took many hours of organizing...and reorganizing...but I finally got the document to what I wanted.
Then I found out that my first exhibit location fell through due to some unexpected renovations. I wasn't able to sell the guides at the second location, but decided to order a small batch of magazines to sell myself and then created the online magazine to share my project with everyone who was interested.
And...I'm happy to say....I have sold all but one of my hard copies. In a non COVID world where I could have had an artist talk with the public, I'm sure I could have sold many more.
Would I put something like this together again? In a heartbeat. I love creating books/magazines..it's one of my favourite hobbies.
Would I recommend other exhibiting artists to spend the time putting something like this together? Only if you are creating the exhibit/project guide for YOU and your own satisfaction. It's not a big money maker and the time invested in the creation of the guide could be spent in more productive ways if you're looking at it from a financial payback point of view.
One last tip - creating online viewable books/magazines. If you create your guide using Blurb Books, you can simply select the option for the public to view your book. You can select a few pages, or the whole book, for viewing. However, I didn't want people thinking I was trying to push sales so I came up with another option. I created a pdf of my guide, and then I did a search for "free online pdf to flipbook converter". I selected FlipbookPDF.net and chose the free version. That means they "brand" your flipbook with their logo...no big deal for me. You can easily add your project title, select the "sound" you want when the pages are flipped (I opted for no sound), and then you get a link you can share.
I hope this gives some insight into exhibit guides. There is no right or wrong. If you're part of a gallery exhibit, they will look after everything for you. If you're arranging your own exhibit, it's your choice whether to have an exhibit guide or not....and what to include or not.
Previous articles about preparing for exhibits:
Also from the Trailings Series:
I stumbled across this quote a few years ago, and it's still one of my favourite quotes about art:
"Art is not always about pretty things. It's about who we are, what happened to us, and how our lives are affected."
- Elizabeth Broun, Director, Smithsonian American Art Museum 1989-2016
When I was selecting images for my Trailings exhibit, I went through many iterations. Indecision was my enemy, but I kept coming back to Skeleton. Should I include it? It wasn't the typical photograph you might see in an exhibition. But it called to me, and could not be ignored so it made the cut.
In some ways, it makes me feel uncomfortable when I look at it. It's not pretty and it's not happy, but it intrigues me. It draws me in and tells a story of vulnerability. Bare to the bones, the lack of surrounding earth strips the scene down to a sense of loss. Maybe not a happy story, but perhaps a story that needs to be talked about and shared.
People seem to be drawn to it, or repelled. That's okay! Any response is a good one. I felt particularly gratified when someone saw the image without seeing the title and said "it looks like a skeleton". Yes!
|Progress Bulletin article, April 21 2021|
Free publicity is always great. I've done a few interviews over the years and it's always interesting to me how a reporter puts things together. Gayle Wilson wrote a lovely article about my exhibit, with lots of background information as well.
And I didn't realize that I still use the word "neat", as in "it was neat"!
|Off on a New Adventure|
Question 1: Silence, music, podcast, or something else when you create / work?
Complete silence! I love music, but I find it distracting when I'm creating :) I don't think I have ever listened to a podcast. I'm a visual person, so prefer YouTube where I can view and listen at the same time.
Question 2: What's your favorite part of the process as you create / write?
All my troubles retreat when I'm creating....part of the reason I love what I do. Whether I'm out and about with my camera in hand, or sitting at my desk creating something on the computer, I become completely absorbed and everything that is going on (internally and externally) fades into the background.
Question 3: Where do you do your craft, and what's that space like?
I'm either outside with my camera, or I'm in my home office. My office is very small....7 feet by 8 feet. In our original house plans, the space was actually a walk in closet by the front door. I had the plans changed and moved the closet door to a side hallway and added a smaller front hall closet by the front door. Voila, a walk in closet became my office! It's snug, but I love it. I have a desk with computer and two monitors to create with. I have an old wooden tool chest that I use as a table for my printer. There are shelves filled with family photos, favourite collectibles, books that I have made, reference books, and books from friends (I love books!). And...two large bulletin boards filled with inspiration bits and bobs, and my own works in progress. My office is one of my happy places.
Question 4: How do you choose who to follow? (Blogs, Instagram, Facebook, etc.)
I have signed up to receive a couple of blogs by email, but apparently that won't be happening after June because I just received a notice from blogger that the "follow by email" feature is going away. I have a love/hate relationship with the internet and social media. On one hand, I find it inspiring to see what other people are doing. On the other hand, I tend to feel inadequate when faced with so many inspiring people. I spend less and less time following other people, and try to focus on doing my own thing. I dislike facebook and only use it when I feel I have to share a big milestone with my family and friends. Most of my internet time is spent scrolling through my instagram feed but I'm trying to break that habit as well. I subscribe and unsubscribe to accounts quite frequently. Currently I follow some photographers and some quilters who inspire me.
Question 5: Why do you write and post on your blog?I started blogging in 2007 when I owned a dog biscuit company. I sold the company in 2008, retired, and moved half way across Canada but decided to continue blogging to document our new life in the country. We moved into a town in 2015 and blogging went by the way side for a couple of years. I picked it back up again a couple of years ago to document my photography. I am fickle and am not a faithful blogger, but blogging helps me gets things straight in my own mind. Basically, I use my blog to try to inspire other people...and to keep a record of things I think are of value in my photographic journey.